午夜剧场色
剧情介绍
🎯 午夜剧场色 (2010) - 剧情片 - 让-马里·斯特劳布导演作品
📚 《午夜剧场色》是一部2010年上映的剧情片，由让-马里·斯特劳布执导，Giorgio Passerone等主演。
📖 剧情简介
📑 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce… 🕺” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… 🎥 the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… 🏅 and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.— 🙂Barbara Ulrich 🎲
💫 影片评价
整部影片节奏紧凑，Giorgio Passerone等演员的表演让午夜剧场色更具感染力，让-马里·斯特劳布导演的功力可见一斑。
⭐ 评分：7.4/10
🔖 相关标签
#视频点播 #观影笔记 #动画电影 #网络电影 #让-马里·斯特劳布导演 #纪录片 #文化内涵 #剧情片电影
【相关推荐】🔍 用户还在搜：
✅ 午夜剧场色在线观看 | 午夜剧场色国语版 | 午夜剧场色蓝光版 | 午夜剧场色剧情 | 午夜剧场色高清 | 午夜剧场色电脑版
午夜剧场色
2010 剧情更新: 2025-05-09 23:17:06简介
选集
剧情介绍
🎯 午夜剧场色 (2010) - 剧情片 - 让-马里·斯特劳布导演作品
📚 《午夜剧场色》是一部2010年上映的剧情片，由让-马里·斯特劳布执导，Giorgio Passerone等主演。
📖 剧情简介
📑 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce… 🕺” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… 🎥 the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… 🏅 and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.— 🙂Barbara Ulrich 🎲
💫 影片评价
整部影片节奏紧凑，Giorgio Passerone等演员的表演让午夜剧场色更具感染力，让-马里·斯特劳布导演的功力可见一斑。
⭐ 评分：7.4/10
🔖 相关标签
#视频点播 #观影笔记 #动画电影 #网络电影 #让-马里·斯特劳布导演 #纪录片 #文化内涵 #剧情片电影
【相关推荐】🔍 用户还在搜：
✅ 午夜剧场色在线观看 | 午夜剧场色国语版 | 午夜剧场色蓝光版 | 午夜剧场色剧情 | 午夜剧场色高清 | 午夜剧场色电脑版简介
2010 剧情
导演: 让-马里·斯特劳布
主演: Giorgio Passerone
🎯 午夜剧场色 (2010) - 剧情片 - 让-马里·斯特劳布导演作品📚 《午夜剧场色》是一部2010年上映的剧情片，由让-马里·斯特劳布执导，Giorgio Passerone等主演。📖 剧情简介📑 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce… 🕺” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… 🎥 the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… 🏅 and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.— 🙂Barbara Ulrich 🎲💫 影片评价整部影片节奏紧凑，Giorgio Passerone等演员的表演让午夜剧场色更具感染力，让-马里·斯特劳布导演的功力可见一斑。⭐ 评分：7.4/10🔖 相关标签#视频点播 #观影笔记 #动画电影 #网络电影 #让-马里·斯特劳布导演 #纪录片 #文化内涵 #剧情片电影【相关推荐】🔍 用户还在搜：✅ 午夜剧场色在线观看 | 午夜剧场色国语版 | 午夜剧场色蓝光版 | 午夜剧场色剧情 | 午夜剧场色高清 | 午夜剧场色电脑版
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