午夜剧场色
剧情介绍
🎥 午夜剧场色 - 预告片
📚 【预告信息】
🎬 片名：午夜剧场色
🎯 类型：剧情片
📅 年份：2010
🎯 导演：让-马里·斯特劳布
👥 主演：Giorgio Passerone
🎥 预告片介绍
📝 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce… 🏠” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… 🏃♂️ the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… 🌧️ and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible— 🏤nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich ✨
💫 预告片点评
作为剧情片的创新之作，午夜剧场色打破了传统框架。
⭐ 期待值：7.4
🔖 相关预告
#演技担当 #热门电影 #配乐动人 #影视分享 #场面震撼 #朋友聚会 #流媒体 #制作水准
【相关推荐】🔍 用户还在搜：
✅ 午夜剧场色国语版 | 午夜剧场色百度云 | 午夜剧场色免费观看✅ 午夜剧场色豆瓣评分 | 午夜剧场色讲的什么 | 午夜剧场色好看吗
✅ 午夜剧场色演员表 | 午夜剧场色手机在线 | 午夜剧场色删减了什么
✅ 午夜剧场色未删减版 | 午夜剧场色在线观看 | 午夜剧场色无删减
✅ 午夜剧场色4K超清 | 午夜剧场色结局 | 午夜剧场色彩蛋
午夜剧场色
2010 剧情更新: 2025-05-10 00:07:42简介
选集
剧情介绍
🎥 午夜剧场色 - 预告片
📚 【预告信息】
🎬 片名：午夜剧场色
🎯 类型：剧情片
📅 年份：2010
🎯 导演：让-马里·斯特劳布
👥 主演：Giorgio Passerone
🎥 预告片介绍
📝 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce… 🏠” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… 🏃♂️ the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… 🌧️ and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible— 🏤nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich ✨
💫 预告片点评
作为剧情片的创新之作，午夜剧场色打破了传统框架。
⭐ 期待值：7.4
🔖 相关预告
#演技担当 #热门电影 #配乐动人 #影视分享 #场面震撼 #朋友聚会 #流媒体 #制作水准
【相关推荐】🔍 用户还在搜：
✅ 午夜剧场色国语版 | 午夜剧场色百度云 | 午夜剧场色免费观看✅ 午夜剧场色豆瓣评分 | 午夜剧场色讲的什么 | 午夜剧场色好看吗
✅ 午夜剧场色演员表 | 午夜剧场色手机在线 | 午夜剧场色删减了什么
✅ 午夜剧场色未删减版 | 午夜剧场色在线观看 | 午夜剧场色无删减
✅ 午夜剧场色4K超清 | 午夜剧场色结局 | 午夜剧场色彩蛋
简介
2010 剧情
导演: 让-马里·斯特劳布
主演: Giorgio Passerone
🎥 午夜剧场色 - 预告片📚 【预告信息】🎬 片名：午夜剧场色🎯 类型：剧情片📅 年份：2010🎯 导演：让-马里·斯特劳布👥 主演：Giorgio Passerone🎥 预告片介绍📝 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce… 🏠” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… 🏃♂️ the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… 🌧️ and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible— 🏤nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich ✨💫 预告片点评作为剧情片的创新之作，午夜剧场色打破了传统框架。⭐ 期待值：7.4🔖 相关预告#演技担当 #热门电影 #配乐动人 #影视分享 #场面震撼 #朋友聚会 #流媒体 #制作水准【相关推荐】🔍 用户还在搜：✅ 午夜剧场色国语版 | 午夜剧场色百度云 | 午夜剧场色免费观看✅ 午夜剧场色豆瓣评分 | 午夜剧场色讲的什么 | 午夜剧场色好看吗✅ 午夜剧场色演员表 | 午夜剧场色手机在线 | 午夜剧场色删减了什么✅ 午夜剧场色未删减版 | 午夜剧场色在线观看 | 午夜剧场色无删减✅ 午夜剧场色4K超清 | 午夜剧场色结局 | 午夜剧场色彩蛋
本站所有视频和图片均来自互联网收集而来，版权归原创者所有，本网站只提供web页面服务，并不提供资源存储，也不参与录制、上传。